The Panorama is a 155‑foot photograph installed in the round, its curved walls forming a quiet chamber of dusk. The work begins with a threshold text that places the viewer on the night before the 1992 verdict and uprising—a moment when the city felt stretched thin, the horizon holding a kind of charged stillness.

Inside the circular architecture, the image becomes a world unto itself. The horizon wraps the body completely, offering no edges, no escape, only the slow drift of light across distance. For all its scale, the experience is hushed: a vast, continuous dusk that asks the viewer to linger in the tension of that suspended night. The piece holds the largeness of the city and the quiet of anticipation in the same breath, inviting viewers to inhabit a landscape on the verge of becoming something else.