Panorama of South Central, Los Angeles. April 28th, 1992, Evening Skyline, Part One, 2005

MAY 1963 , news footage of black civil rights protesters being attacked by police, dogs and fire hoses in Birmingham, Alabama. This footage has a profound effect on the public opinion during debates over the civil rights act in 1964, illustrating the power that media has on the public consciousness.

MARCH 1991 , two videotapes - one from an amateur's camcorder and the other from a store surveillance camera.

TAPE ONE:

SUNDAY MARCH 3rd, 1991 midnight - a speeding motorist by the name of Rodney King suffers baton blows, stomps and kicks to the head and body. Rodney King had just done less than a year in prison for trying to rob a Korean-American store with a tire iron. He got out of prison early for good behavior and found work as a construction worker. After a hard weeks, King needed to relax at a friend’s house where he drank 8ball brand malt liquor and watched some basketball. At 12 a.m. King is drunk past the limit and behind the wheel of his Hyundai. Going way beyond the speed limit King was urged by his passengers to pull over. He then notices the California Highway Patrol car was behind him, it's red and blue light strobes bouncing off Kings rear view mirror. He attempts to escape increasing his speed way beyond the limits of the Hyundai, he is then followed by a dozen squad cars, and exits off the 210 freeway near Sunland, CA, to the entrance to Hansen Dam in Lakeview Terrace. The Los Angeles Police Department officers Timothy Wind, William Powell, Ted Briseno and head officer Stacey Koon give orders to the unknown passengers of the Hyundai. King's passengers comply with the officers. King does not and the four officers begin to deliver fifty-six baton blows and six kicks to King over a two minute period in the presence of seventeen other LAPD officers and four CHP officers. That same night a man named George Holliday is awoken by the commotion outside his home, he had just bought himself a brand new camcorder. Scrambling out of bed he grabs the camcorder. Missing the first part of the standoff with King and passengers Holliday manages to get most of the beating on tape. Within twenty-four hours the videotape is broadcast natonwide.

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Panorama of South Central, Los Angeles. April 28th, 1992, Evening Skyline, Part Two, 2005

The Panorama is a 155‑foot photograph installed in the round, its curved walls forming a quiet chamber of dusk. The work begins with a threshold text that places the viewer on the night before the 1992 verdict and uprising—a moment when the city felt stretched thin, the horizon holding a kind of charged stillness.

Inside the circular architecture, the image becomes a world unto itself. The horizon wraps the body completely, offering no edges, no escape, only the slow drift of light across distance. For all its scale, the experience is hushed: a vast, continuous dusk that asks the viewer to linger in the tension of that suspended night. The piece holds the largeness of the city and the quiet of anticipation in the same breath, inviting viewers to inhabit a landscape on the verge of becoming something else.